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| View Poll Results: Does the music industry rely on pro-tools too much? | |||
| Yes |
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7 | 53.85% |
| No |
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2 | 15.38% |
| Not Sure |
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2 | 15.38% |
| What the hell is pro-tools? |
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2 | 15.38% |
| Voters: 13. You may not vote on this poll | |||
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#11 (permalink) | |
![]() Join Date: Jul 2008
Location: Washington, DC
Posts: 2,321
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#12 (permalink) | ||
![]() Join Date: Jan 2009
Location: Lafayette, LA
Posts: 2,644
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Last edited by cajungamer; 10-08-2009 at 06:42 PM. |
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#13 (permalink) |
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i voted yes,
*stands up as though at an A.A. meeting* Me - my names laurie , and I use recording software All - Hi Laurie I use Cubase (almost exactly the same use and features as protools, just laid out differently and not hardware specific) to record my music... but I can say in my defense that I try and get everything sounding as best it can before I start utilizing what the software has to offer. the question of autotune is a matter of ethics... me I can't even begin to defend it... although the "hard setting" does sound cool - albeit overdone now as mentioned earlier. Look up an Australian band called Karnivool - thier singer has AMAZING range, the guitarists are phenominal and the leaflet states (with some pride, I would imagine) that NO autotune was used in the recordings. as far as whats out these days musically, there is quite alot out that is manipulated too much, hence my vote. Playing stuff live over in studio was it's +'s and -'s, in the studio, you can layer all you want, where some of it wouldn't come out live unless you dub it - or has a looping pedal as a guitarist *puts hand up* and is able to play more than one part at once because of it. Live, you get pumped up by watching the crowd love it, but they can also get dissapointed by not hearing something they heard on the recording.
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